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Reseña del editor Contemporary feminist critics have often described Surrealism as a misogynist movement. In Automatic Woman, Katharine Conley addresses this issue, confirming some feminist allegations while qualifying and overturning others. Through insightful analyses of works by a range of writers and artists, Conley develops a complex view of Surrealist portrayals of Woman. Conley begins with a discussion of the composite image of Woman developed by such early male Surrealists as André Breton, Francis Picabia, and Paul Eluard. She labels that image 'Automatic Woman'-a term that comprises views of Woman as provocative and revolutionary but also as a depersonalized object largely devoid of individuality and volition. This analysis largely confirms feminist critiques of Surrealism. The heart of the book, however, examines the writings of Leonora Carrington and Unica Zürn, two women in the Surrealist movement whose works, Conley argues, anticipate much contemporary feminist art and theory. In concluding, Conley shows how Breton's own views on women evolved in the course of his long career, arriving at last at a position far more congenial to contemporary feminists. Automatic Woman is distinguished by Katharine Conley's judicious understanding of how women-and the image of Woman-figured in Surrealism. The book is an important contemporary account of a cultural movement that continues to fascinate, influence, and provoke us. Katharine Conley is an assistant professor of French at Dartmouth College. Biografía del autor Katharine Conley is an assistant professor of French at Dartmouth College.
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Krauss rosalind e bachelors surrealism feminism concluding that there were such women within the movement and that henceforth it will be irresponsible for anyone speaking of surrealism not to de vote considerable attention to them she admits after listing such figures as leo nora carrington dorothea tanning kay sage leonor fini valentine hugo and unica zurn that these were practitioners who entered the movement only after it
Automatic woman the representation of woman in surrealism automatic woman the representation of woman in surrealism author katharine conley published on may 2008 katharine conley libros
La fragmentación de las figuras de la mujer en el woman was seen not only as a provocative revolutionary subject but as an impersonal subject largely devoid of individuality and will this fragmentation and relegation of the image of women in avantgarde art caused the female began to insist on a specificity and subjectivity that distinguish women from men
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